Author: Karen GoatKeeper

Karen GoatKeeper loves to write. Her books include picture books, novels and nonfiction for science activity books and nature books. A recent inclusion are science teaching units.
The coming year has goals for two new novels, a picture book and some books of personal essays. This is ambitious and ignores time constraints.
She lives in the Missouri Ozarks with her small herd of Nubian dairy goats. The Ozarks provides the inspiration and setting for most of her books.

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First Frost

This Ozark fall has been flirting with frost for a few weeks. The frost date isn’t until the end of October. Weather doesn’t read calendars so the first frost hit with twenty-five degrees.

There was warning in the weather forecast. Balmy days seemed to laugh at it.

Feeling Foolish

One by one I stripped and pulled the pepper plants. All tomatoes of any size came off the vines. Pumpkins and squash moved in on my pantry floor.

The weather was warm. Skies were blue. The only thought keeping me going was: Can I afford to be wrong?

If our first frost didn’t come, my summer garden would still be gone. If it did arrive, my last produce would be safely in the house. Frost would ruin this produce. I couldn’t afford to be wrong.

After first frost surprise
Reptiles disappear all winter. This young northern fence lizard hasn’t gotten the message yet. It’s basking on the old blanket I’m presently using to cover the raised bed.

Watch the Wind

All weekend the wind stayed from the southeast. This means warm or relatively warm temperatures.

Tuesday morning the weather vane began to move to the east. The wind picked up. That cold front was moving in.

Afterwards

Two mornings were in the mid twenties. All leftover squash and tomato vines hung limp, frozen.

There are some cold tender plants still growing because I took out the blankets and covered them. I keep a big stash of old blankets in the barn along with old towels and sweatshirts to use in the garden and on the goats.

Chinese celery won’t take a frost. Using old towels and blankets I’ve kept the plants growing slowly up into January.

Each morning I finish milking and go out into the garden to remove the coverings. It’s nice to see the Napa cabbage, bok choi and Chinese celery looking green and fresh.

banishing first frost cold
Nubian doe High Reaches Pamela is basking in the sun just now lighting up the barn lot after a night of freezing temperatures. Her black fur gets hot. Even the brown and gray fur on various goats gets really warm.

Goats and First Frost

I arrived to start milking and found an empty barn. Nubians love warmth. The herd had moved out in front of the barn to bask in the sun. Their warm fur helps warm up cold hands.

Now the forecast calls for some warmer temperatures. The goats, fall garden and I will be glad to enjoy them.

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GKP Writing News

Adding Picture Book Text

Adding picture book text is part of the illustrating. The text must fit into the illustrations, be a part of them, yet be separate.

How much text will be included depends on the book. Those for older readers often have lots of text telling a story. Examples include “Redcoats and Petticoats” and “The Fool of the World and the Flying Ship”.

Those for younger readers have none to only a few lines. An example would be “Wolf in the Snow” where the text is only names of sounds like howl. “Waiting For Fairies” has a couple of lines of text on each page.

cover for "Waiting For Fairies" by Karen GoatKeeper
In this picture book the text usually fit in two lines along the bottom of the page. When doing the illustrations, I left enough room to fit in the text.

Choosing a Font

There are lots of fonts to choose from. In picture books the aim is to be simple and easy to read.

My preference is Georgia as I find it easy to read and pretty with the serifs. Since I use it on my website and for writing, it was a natural choice for my picture books.

Another aspect is the color of the font. Black is the most common.

Picture book text doesn’t have to be in straight lines. It can be curved or in a column. In this book it is tiered up and down.

Placing the Text

Adding picture book text is part of doing the illustrations. The illustration must leave space for the text. It is often placed at the bottom of the pages.

When I did “The Little Spider” the text became part of the illustrations. This spider is trying to get to a high perch. When the spider goes up, the text goes up. When the spider goes down, so does the text.

Making Text Readable

Black is popular as it shows up well against most backgrounds. There are times when black does not show up well.

On a few pages of “The Little Spider”, this was the case. The text was against brown and disappeared into the background. I created a light yellow oblong and used brown text preserving the ground effect, but making the text readable.

Adding picture book text takes time and thought. The font must reflect the purpose of the book and be readable. The text must fit into the illustrations. Then the picture book becomes a picture book.

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Drawing Ozark Birds

Looking out the kitchen window, I saw a titmouse raiding the bird feeder. The local paper had an article about David Plank, a local watercolor artist who is known for drawing Ozark birds like that titmouse.

Years ago I had an opportunity to meet this famous artist and get some tips on using watercolors. This was when I dreamed of doing my own watercolor illustrating, but was too scared to try.

drawing Ozark birds studio
I had pictured some fancy room as David Plank’s studio. It wasn’t. All an artist’s studio really needs is working space with good lighting.

Meeting David Plank

At the time I was writing articles for a local free ad paper called the Kaleidoscope. This gave me several opportunities. One was working with an editor who moved my writing from a schoolwork level to a semiprofessional one. The other was getting to go places and meet people around my area.

Visual Manna held an Art Camp each summer. David Plank was a guest teacher there. I got to attend both to write about the event and to participate. He invited me to his studio.

kingbirds and white crowned sparrow
My photographs don’t do justice to David Plank’s paintings. The kingbirds (top) are his favorite birds. The white crowned sparrow (bottom) is a winter visitor and getting ready to leave in this spring picture.

Drawing Ozark Birds

David Plank has drawn birds since he was very young. It’s his passion, one he followed as a hobby for years before his art drew notice. After that, he could spend all his time sketching and painting.

The studio was crowded with pencil sketches, finished paintings and prints of birds. These took up almost the entire room. His work space took up the rest dominated by a slanted board next to a window.

Carolina wren on gourd nest
Wrens are opportunists when siting their nests. They have nested in my barn, in the workshop on top of band saws or tool shelves. Come too close and they hop around scolding.

Watercolor Methods

There are two approaches to painting with watercolors. One uses lots of water to create washes. This is often used to do sea or sky backgrounds, wide expanses of color.

The other uses an almost dry brush to apply the paint more thickly and precisely. David Plank uses this method to create his birds. This is my preferred method.

Whichever method is used, white is not used as a color. That makes it imperative to know beforehand what your drawing will be. Any area you want to be white, must be blocked off so the white of the paper is left to supply the color. You must see your drawing differently, seeing how the color goes around and augments these white areas.

The paper’s article was a retrospective as David Plank turns 90. Drawing Ozark birds is still his passion. I admire his work, done with a skill I don’t have now and probably never will. But, when he started, neither did he. That skill comes with having a passion for drawing and persistence to keep working at it.

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GKP Writing News

Formatting Picture Book Illustrations

Formatting picture book illustrations is the last step. The illustrations must be finished first.

“For Love of Goats” taught me a lot about doing illustrations. Watercolor may be beautiful, but mistakes are forever. Or are they?

Creating the Pictures

Each drawing takes hours. The sketch is drawn, redrawn, corrected. Watercolor is put on after that.

Pencil lines show through watercolor, so they must be very light. If they are too light, you can’t see them.

formatting picture book illustrations example
This picture book image from “For Love of Goats” was created using watercolor and the computer. The kidding pen with the straw was one watercolor picture. Each of the three goats was done separately in watercolor. The goats were placed in the pen using a computer.

Computer ‘Magic’

Formatting picture book illustrations requires scanning them into a computer as JPEG images. My paint shop creates and works with these images. It let me trim down lines that were too thick with paint.

In “For Love of Goats” I have a series of short fiction much of which is set in a stall created with bales of hay. Painting identical stalls for each picture was beyond my skill. I painted one stall.

Then I drew and painted the goats to go into the stall. Duplicating the stall, I had it for all of my drawings. Using my paint shop, I placed the goats into the stall. This worked so well, I used the same method for several of the illustrations.

Doing these things does mean using multiple layers. The first time or two, using layers can be intimidating. Practice helps.

One important practice is to save all of your original drawings in their original form. When I work on one, I save this one as a duplicate in case I have to start over. This is a good habit to have for any illustration work: drawings, paintings, photographs. It is also a good idea with the text for a picture book or a novel.

Final Images

Many picture books are done in letter size. That is the size I create my drawings in.

However, eBooks are usually sized for 6” by 9” ratios. That distorts the letter size image. When formatting picture book illustrations for a digital version, it’s important to crop and resize them for this so they look right in digital format. That is 8” by 11” instead of 8 ½” by 11”.

image from Waiting for Fairies
All of the illustrations for “Waiting For Fairies” were done a complete pictures. There is the infamous bush that appears in many of the illustrations. It is hard to redo the same bush or fence or mushrooms over and over so they look the same each time. Formatting these images was mostly doing some cleaning of sloppy lines and fitting the images together for the two page spreads.

“Waiting For Fairies”

Although I created many of the images using layers for some picture books, this picture book was done with all complete pictures. That bush was a challenge and, if each image is looked over carefully, it isn’t exactly the same in all of them.

As I look over different picture books, my painting and computer method is not the norm. However, each book is different and each illustrator uses a method they are comfortable with.

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Planning Ahead

So much is said about living in the now, appreciating what you see, feel, smell around you in the moment. That’s great up to a point. However, if you raise livestock or crops, planning ahead is essential.

goat coats keeping kids warm
If I want March kids, the does get to visit with Augustus in October. Part of planning ahead is to have the kids born when the weather is better. It doesn’t always work well as the goat coats on these kids of my Nubian doe High Reaches Drucilla say this March was a bit cold. Part of planning ahead is having the goat coats clean and ready just in case.

Livestock Planning

For a few years I ran a commercial rabbitry. There were around 120 does in my barn. These were roughly divided into eight sections. Why?

Gestation for a rabbit is four weeks. Weaning of baby rabbits is four weeks. The only income for a commercial rabbitry is from the sale of those baby rabbits, you guessed it, four weeks later.

Every week I bred some does, put nest boxes in for as many others, weaned babies for that many. If I didn’t keep a schedule, my rabbits went hungry.

It’s the same for other livestock. My goats have a gestation of five months. If I don’t breed in October, I have no kids to sell in the spring for money to put hay in the barn.

Planning ahead for Chinese cabbage
Napa cabbage is surprisingly cold hardy. However, cabbage worms love it. I was a bit late, but mine is wrapped with voile. The garden tubs work well for greens like this one, bok choi, peppers, eggplant and green onions among others. These seeds went in during August, so the cabbage will be ready to eat in November.

Raising Crops

Although I am only a homesteader, the same rules apply for farmers. The summer may be winding down and the summer crops with it, but spring will come again. The garden must be ready to plant then.

As a homesteader, I plant spring, summer and fall crops. January is the month to start cabbage and leeks. The end of February is time for peppers and tomatoes. August is time to plant turnips, spinach and greens along with broccoli, cauliflower and cabbage.

Without planning ahead for these deadlines, my garden won’t put food on my table and in my freezer. The full freezer is sure comforting in the fall.

a section of my Ozark creek
One of the joys of living out on this property is going walking up on the hills, into the ravines or along the creek. The same walks are never boring as the places change as the weather and seasons change.

Enjoying the Now?

Standing in the barn door as my goats eat their grain, I look out over the pasture to the far hill. A breeze ruffles my hair. Birds flit by or stop on a branch to scold the cat.

Even though I spend a lot of time planning ahead, enjoying the now is important. It’s what makes homesteading special.

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GKP Writing News

Picture Book Illustrations

Traditional publishing companies often control picture book illustrations assigning the text to an artist. Indie picture book authors have two choices: 1) Find and hire an illustrator; or 2) Do their own illustrations.

I am an indie author. That leaves me with the two choices.

cover of "For Love of Goats" by Karen GoatKeeper
What I found out doing this book was to start with illustrating something you are familiar with and enjoy drawing. After that, other projects aren’t so intimidating.

Hiring an Illustrator

For years I did try to find an illustrator. Good ones are expensive. The amount of work that must be put into the illustrations makes them worth their cost.

My first illustrated book was “For Love of Goats” which presented several problems. Goats are not easy to draw. The book includes several breeds of goats and each one is different.

Additionally, goats have attitudes and behaviors. Someone unfamiliar with goats, working only from photographs, will miss these. And these were reflected in the text.

Goats have been an important part of my life for fifty years. I’ve watched them. That didn’t mean I could draw them. I wanted to finish this book I’d worked so hard on, so I learned.

Picture Book Illustrations

If you’ve been looking at picture books, you know illustrations are done in many mediums. They are done in many styles.

Once the decision is made to illustrate a book, the medium is chosen. It must be one the illustrator is comfortable with.

My medium is watercolor. Why? Because I like the way it looks, the way it is done and the challenge of it. Watercolor is a most unforgiving medium as mistakes never go away.

cover for "Waiting For Fairies" by Karen GoatKeeper
People are hard to draw for me. The mushrooms and creatures were done using photographs of the real ones as models. One of the difficult parts was drawing the same mushroom ring for each of may pages.

Waiting for Fairies

After completing “For Love of Goats”, I had the confidence to illustrate the two picture books I had written text for. The next one I tackled was “Waiting for Fairies”.

People are incredibly hard for me to draw. Even now, I look at my illustrations and wish I had done better.

The fun part of doing these illustrations was the opportunity it gave me to add an additional layer to the story told in the text. Since the child was waiting for fairies, there should be fairies somewhere.

Doing picture book illustrations isn’t for every author. I’ve found it is for me.

“Waiting for Fairies” eBook version is free through Smashwords for the month of November. The coupon code is LXLLT.

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GKP Writing News

Creating Picture Books

A homeschool group has approached me about teaching a short course on creating picture books. The idea is intriguing.

What Is a Picture Book?

This is the first question to answer. The obvious answer is a book of pictures with a story. In reviewing many picture books, this is far too simple.

B.J. Novak’s “The Book With No Pictures” is a picture book with no pictures, all text. Matthew Cordell’s “Wolf In the Snow” is all pictures with no story text. Both are great picture books.

Many picture books, like “The Little Spider”, include a page about the animal or animals shown in the text. The page in this book is about spider ballooning, the method used by spiders to move to new places.

The amount of text depends on the age the picture book is for. Those for very young children like Kate Duke’s “The Guinea Pig ABC” and many of the “Pete the Cat” books have very few words. Another way to appeal to children is with repetitive text as in my “The Little Spider”.

Picture books for older children have lots of text. In these the pictures augment the story, not tell it. Tiffany Hammond’s “A Day With No Words” and Katherine Kirkpatrick’s “Redcoats and Petticoats” are this way.

Another approach is seen in Jim Arnosky’s “All About Turkeys”. There is a story and pictures. Facts about turkeys are on streamers by the pictures.

The obvious answer is right, a picture book is pictures with text. However, there is a lot of leeway in how these are used depending on the age the book is for.

cover for "Waiting For Fairies" by Karen GoatKeeper
Although the text and illustrations in this book are about Ozark night creatures the child sees, the illustrations tell another story about fairies.

Creating Picture Books

I would start by writing down my idea, maybe even some illustration ideas. Then I would look at lots of picture books especially those for the age of the children I wanted to write for. This is not to copy these books, but to get a feel for the type of book that appeals to that age.

Afterwards I can look at my idea again. It’s time for a rewrite because creating picture books is as hard or maybe harder than writing a novel.

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Fall Parade of Asters

Most of the sunflowers have gone to seed. They are replaced by the fall parade of asters painting the roadsides white to blue to lavender.

Although fall is not my favorite season as it is a reminder winter is close behind, the parade of asters is lovely. Wild ones may not be as big or showy as garden varieties, but they are prolific.

One of the small white heath asters
Several asters have large sprays of half inch flowerheads. Some are lavender. This one is white. I’m not sure which one this is – yet.

Which Is Which?

Like the sunflowers, asters are difficult to identify. They are like the sunflowers in that they have a ring of ray flowers surrounding a disk of tube flowers.

In the summer, the fleabanes started blooming. These look a lot like an aster, but their rays are very thin and numerous. Heath asters are the same size and similar in color, but their rays look fat and are a single ring fewer in number.

When I take pictures of the asters, there are several important ones, if I want to identify the aster. There is the flower, but the cup under the flower is important too. The leaf matters as some clasp the stem, others have long petioles. The petioles may have wings.

The first larger aster in the Ozarks parade of Asters
Spreading aster is the first larger aster to bloom along my Ozark gravel road. The flower heads are a bit over an inch across spread out along the several stems reaching out across the ground. The heart-shaped leaves clasp the stems. The cup under the flowerhead is light green and smooth with a few darker green bits.

Some leaves are long with a sharp point. Others are heart shaped. Some plants have basal leaves growing from the ground and stem leaves hanging on the flower stalks. Others have only stem leaves.

Stems are important. Some are smooth and shiny or grooved. Occasional hairs adorn some stems. Short fuzz lines others. Longer fuzz makes the stems look soft and white.

highlight of the parade of asters
New England Aster is a tall plant, up to six feet, with numerous branches topped with flowers. It is sold through nurseries. I enjoy seeing it growing along my Ozark gravel road where the ground is a bit moist. Many pollinators including bumblebees tromp over the many tube flowers sipping nectar.

Admiring the Parade of Asters

The identity of the different asters matters for my Dent County Flora project. However, the asters are worth looking at for their beauty.

My favorite is the New England Aster with its deep purple rays and golden disk. There were lots of these along the road for years until it got mowed too often. They are making a comeback this year.

All of the many asters, large and small, make my fall walks pleasant.

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Montauk State Park Trip

One thing about dairy goats is how they tie you to home. My free day begins at the end of morning chores and ends with the beginning of evening chores. That made my Montauk State Park trip short.

There were several reasons for going to the park. Somehow, they never added up enough to take a whole day. This time the need to get away from the unending “To Do’ list was enough.

Montauk Mill
The Montauk Mill is open during the summer, a time I’ve never been to Montauk State Park. Looking in the windows and reading the brochure, it look interesting.

The Grist Mill

Montauk was a small community that grew up near the big springs forming the headwaters of the Current River. The water allowed a grist mill for grinding corn and wheat to operate. Several mills were built and destroyed until the present one was built in 1896.

The mill is intact, but no longer operates. Over the summer, tours go through. This is fall, so the mill was closed during my Montauk State Park trip.

Montauk spring
The blue of the water in Montauk spring is from dissolved limestone. Karst springs flow through limestone often dissolving large amounts of stone to form caves.

Montauk Springs

Fifty-three million gallons of water flow out of the springs every day. This flow goes out to form the Current River.

Because the water has a constant cold temperature, it’s used for a trout hatchery. The river is stocked with rainbow trout and is very popular with fishermen and women. Opening day, March 1st, draws hundreds to thousands of fishermen to kick off the season.

trout seen during Montauk State Park trip
Montauk State Park is one of three rainbow trout hatcheries in Missouri. The trout are stocked in places around the area as well as in the Current River. These are two of many I saw, most of dinner size.

Wild Plants

Montauk State Park trip fisherman with trout
Wandering around near the Montauk springs, I came out on the river where these men were fishing. One caught a trout.

I’m not a fisherman, although my father tried hard to hook me into the sport. I am interested in wild plants. This is one of the big draws for me for a Montauk State Park trip.

Some years back I found a fire-on-the-mountain along a parking lot. I needed more pictures of it. This time the fire-on-the-mountain was elusive. However, I found a new plant totally new to me and a yellow coneflower along with some more familiar plants.

One other thing I found out. Monday is a good day to visit as the weekend crowd has gone home. That made it a lovely quiet escape from my unending list.

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GKP Writing News

Cheating With AI

AI seems to be everywhere lately. Search engines, word platforms and more beg you to use it. There are legitimate uses for it, but some I consider to be cheating with AI.

Writing and research are two of these. There are many who will disagree, but I stand firm.

AI and Writing

At home I am not online. In town every time I try to write an email, a search entry, check over a blog post, this AI pops up trying to tell me what I should write. This is very annoying as the stupid program starts guessing at what the word is by the time I have two letters typed.

Admittedly my spelling is not always right. However, spell check catches mistakes most of the time. And that doesn’t keep covering over my document or page with lists of words and phrases.

cover for "Capri Capers" by Karen GoatKeeper
This wild romp let my imagination fly. Every chapter ended with a cliffhanger. Every name was devised for fun and fit into the character. For me, this is what makes writing special.

Then, too, my novels come from my imagination. If AI writes my novel for me to edit, it is no longer my novel. It is AI’s novel and probably far from my idea of what it should be.

My present novel looks at getting old, relationships to family and friends, immigration and reinventing oneself. The main character has been a recluse for decades for medical reasons, has an abusive background. I have come to know her and those around her. AI would only guess at these pulling from whatever learning material it used.

Stephanie comes from a lifetime of people and experiences. I know what is happening and will happen to a large extent. AI won’t know ant of this and might well distort it if I explained.

If I were to use AI to write my novel, edit the result and publish it, I would consider it cheating with AI.

Research

When I start doing research, I have an idea what to look for. Often it is a bit vague. As I go exploring the topic, I can check out different parameters, fine tune, go off on tangents.

By cheating with AI, I end up looking at only what the program thinks I am looking for. It’s something like the difference between browsing the shelves at a bookstore or library and searching on Amazon. You miss so much.

Perhaps I am just old-fashioned, but I will continue to use my own imagination for my writing.